It was ten days before my wedding, and my mother and I were talking long distance. I was giving her a preview of the evening's highlights: my ten-year-old niece's speech about acquiring an aunt instead of an uncle from my lesbian marriage, and the non-mushy love poetry. Then I mentioned that my brother had composed a song for me to sing.
There was a pause. "Are you sure that's such a good idea?" my mother asked. "Won't you be nervous?"
On my last day of vacation in Italy, a chatty café owner in Rome introduced me to a tall, charming Italian man. He was a local artist, I learned; his name was Marco. Just a day earlier, my friend Lynn and I had sat in a piazza in Florence talking about how hard it is to meet nice guys. It had been two years since my last relationship, and, admittedly, I'd grown a little standoffish with the opposite sex. Lynn and I agreed that I could open up a little more. So when I met Marco, I figured...
For the previous year, I had been chipping away at my anxiety about singing in public. Every week I'd dragged myself to a local piano bar to belt out a tune. I had overcome my fear -- at least enough to find the prospect of singing at my own wedding reasonable, even attractive. Until that moment.
The worry that soaked my mother's well-meaning query seeped into me. By the time I hung up, tears had sprung to my eyes. That afternoon when I practiced the song, I was trembling again.
Hypnosis in a Hurry
"How about hypnosis?" my sister Dotty, a certified hypnotherapist, suggested. "Sure," I replied. Almost 20 years earlier, I'd used this method to banish migraines from my life. I knew people used hypnosis to control anxiety as well as pain, although I wondered whether the technique would really work in just a week and a half.
Dotty asked me to describe places that I found relaxing and to recall situations where I had felt calm and proud. Then she crafted a script aimed at reminding my subconscious of moments when I had glowed.
Because my sister lives 3,000 miles away, she e-mailed the script to my partner, Karen, and gave her a crash phone course on how to read it.
On our first attempt, my mind rode the slow lava of Karen's voice. She told me to sink into the chair, to feel it support the back of my thighs. As she suggested, my eyes grew heavy and closed.
Karen directed me into an imaginary elevator. "You're on the 10th floor. Feel yourself going to the ninth." Gravity drew down my arms, my shoulders. "I could open my eyes," I thought, "but I don't want to."